Improspectives

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Posts Tagged ‘motivation

Management and Motivation

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I’ve recently investigated online courses at the MBA level, including taking a managerial accounting course through the University of Illinois. My work and other obligations piled up after I took that course, so I’ve held off taking further for-credit classes until at least January.

To supplement my work through Illinois, I bought a DVD series from The Great Courses entitled Critical Business Skills for Success. The series combines 12-lecture segments on operations, marketing, strategy, organizational behavior, and finance and accounting. The material is presented as an overview of each broad subject, with specific lectures focusing on topics such as the time value of money, rightsizing inventory, and evaluating mergers and acquisitions. There’s very little math and no homework, so the lessons are nowhere near as rigorous as the managerial accounting course, but it’s a great introduction to material I’ll study in depth later.

I’m watching the organizational behavior section now, presented by Clinton O. Longenecker of the University of Toledo. In his lecture “The Motivation-Performance Connection”, he offers some surprising results from a survey of corporate managers. His research found:

  • 85% of managers believe an employee’s motivation has a significant impact on performance
  • 79% believe that motivating employees is one of the most important leadership functions
  • 94% believe workforce motivation is important for overall operational success
  • 82% believe management behavior has a significant impact on employee motivation
  • 68% believe it is getting tougher to motivate employees

The numbers seem reasonable enough, so where’s the surprise? The surprise is that the first four items aren’t 100% (OK, 98% to account for the 2% lunatic fringe). It’s especially troubling to see the 9% gap between responses indicating belief that motivation impacts individual performance and that overall motivation is necessary for operational success.

I suspect there is a connection between those results and the final figure, that 68% of managers believe it is getting tougher to motivate employees. The economic downturn in 2008 led to significant layoffs and delayed retirements, which artificially flooded the job market with experienced workers who where either seeking employment or couldn’t afford to retire. Now that employment levels have returned to pre-2008 levels and the stock market has restored portfolio values, the labor market has started to tighten considerably, especially for highly skilled workers. When you add easy online communication about employment practices, increased expectations for good treatment, and labor mobility you have an environment where the privilege of coming to work tomorrow morning is no longer sufficient motivation for your employees.

See, Think, Design, Produce: Maria Popova’s Presentation

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Maria Popova has produced Brain Pickings since October 23, 2006. What started out as an occasional email newsletter sent to coworkers at one of the four jobs she was working to pay for college has turned into a popular and well-regarded net resource.

Her presentation was substantially different from Jonathan Corum’s. Corum concentrated on his visual design process, but Popova focused on what she calls combinatorial thinking. Her goal is to combine lots of information with a little wisdom to produce an interesting and useful intellectual product that helps readers live reflectively.

Popova’s talk centered on the seven lessons that she learned from the first seven years of producing Brain Pickings. You can find the full post with commentary on her site, but I’ll summarize the points here as she did in her talk:

  1. Allow yourself the uncomfortable luxury of changing your mind.
  2. Do nothing out of guilt, or for prestige, status, money or approval alone.
  3. Be generous with your time and your resources and with giving credit and, especially, with your words.
  4. Build pockets of stillness into your life.
  5. Maya Angelou famously said, “When people tell you who they are, believe them”. But even more importantly, when people try to tell you who you are, don’t believe them.
  6. Presence is far more intricate and rewarding an art than productivity. As Annie Dillard memorably put it, “how we spend our days is, of course, how we spend our lives.”
  7. Debbie Millman captures our modern predicament beautifully: “Expect anything worthwhile to take a long time.”

Popova went into points six and the seven in a bit more detail, offering quotes from Mary Oliver, Tchaikovsky, Chuck Close, and Isabel Allende to support her points. She also shared a link to an interesting visualization summarizing the sleep habits of successful writers. Though the data was necessarily a bit piecemeal and anecdotal, it appears that late risers, meaning those who typically awake around 10 AM or 11 AM, tend to produce more work but win fewer awards. For someone like me, who is firmly in the late riser camp, the good news is that there is no secret hour of awakening that means you will win a Pulitzer Prize.

She also noted that, in many ways, our work ethic fights us. American culture measures us by what we achieve and, while just showing up is important to success in life, she feels we can let ourselves fall into a routine of meaningless productivity without truly living.

Popova’s presentation was substantially different from Corum’s and, at first, I was a little put off by the lack of compelling visuals like those presented by a member of the New York Times media team. Once I realized that her focus was more on internal processes as opposed to audience-focused visualizations, I was able to appreciate her points and ended up getting quite a lot out of her presentation. She also landed me as a new supporter of Brain Pickings, earning her the price of a cup of tea each month.

Reasons for Playing Chess

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Chess is a rewarding but maddening game. You can build up an overwhelming position for the first 40 moves and then make a simple tactical error that lets your opponent back into the game or, in extreme and highly embarrassing cases, even win on the next move.

Interviewer: So, tell me…does throwing away a win hurt?

Curt: Yes. Yes it does.

You see golfers going crazy over their rounds, alternating between self-loathing over the short putts they missed and self-praise for the 150-yard shot that ended up a foot from the hole. I played golf occasionally for a few years and can testify to that effect. Some of my friends play 18 holes just so they can feel the satisfaction of hitting one good shot.

Some days they have to play 36 holes.

A golfer having a bad day still gets in some physical exercise. What about chess players? As with many endeavors, it depends on why you’re playing in the first place. You always get to exercise your brain and look over the consequences of your moves, which keeps you sharp and might fight off the effects of aging, but what else?

If you’re playing with someone who’s about your own strength, you get the benefit of an equal competition and, very likely, enough wins to keep things interesting. Playing someone stronger than you helps you learn and winning every so often helps keep you going. Playing a weaker player lets you win more often and teach the game, even if only indirectly.

What’s often overlooked is that chess can be a social game. If you play blitz chess, where players have to make all of their moves within three or five minutes, you can get in a lot of games and try many different types of positions. Playing a longer game lets you think more deeply, and playing without a clock lets you approach the game more casually.

You can also take time to analyze your game with your opponent. Serious players often try to identify the move where the winner got an advantage and what the loser missed. When done with a spirit of exploration and sharing, post-game analysis can be fun and helpful.

Chess as metaphor

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Games have long played a part in literature, representing a competition between humans or supernatural beings. Chess features prominently in many stories. The game’s intellectual nature lends itself to such depictions, with the idea being that if you can beat someone else at chess, you are the better man.

Other games, both real and invented, serve similar roles. For me, the best example is the game Azad from Iain M. Banks’ book The Player of Games. The game of Azad is a vast undertaking, with high-level matches often taking a month to play. There are several boards, a combination of team and individual play, and so many pieces as to nearly defy description.

In the story, the game was developed as a metaphor for the structure and values of the Empire of Azad. It was part pastime and part civil service exam. The Azadian home world held a tournament every so often, with the winner crowned emperor. The better you did in the tournament, the higher your position in the government.

The premise of the story is that another civilization, the Culture, sends its best game player to compete in the tournament. Banks was known for a political bent to his stories; The Player of Games is no exception. On its surface a simple diplomatic exchange, our player’s participation and continued success brings the conflict between the two civilizations and their values into sharper relief.

It’s telling that the Culture’s hero only starts to play at a high level when he takes on aspects of the Empire’s philosophy in his own play. Banks manages that conflict magnificently.

Chess is an abstract game with arbitrary but well-balanced rules that allow for a wide range of successful strategies and tactics. Though it doesn’t approach the (admittedly fictional) resolution of a game like Azad, it has long played a role as a metaphor for accomplishment and brilliance. As such, it provides a terrific instructional base.

Chess as a game (among many)

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Chess is often called “the queen of games”, at least in Western culture. The game’s austere appearance, when combined with its tactical and strategic depth, provides an air of challenge and mystery.

In many ways, chess is the prototypical Western game. Strategies and tactics are direct, with little progress to be made unless you directly confront your opponent. Chess is also a perfect information game, meaning there is no element of chance. You might not know your opponent’s next move, but there’s nothing hiding it from you. If you didn’t see what was coming, you can only blame yourself.

Although chess has increased in popularity in Asia, the traditional strategy game of Japan, China, and South Korea is go. Unlike chess, where the goal is to create a position where your opponent’s king is under attack and cannot move to a safe square, go players place their stones in an attempt to surround territory on the board. Chess boards are 8 x 8, with 64 squares, and the pieces stand on the squares. In go, the board has 19 x 19 lines, with 361 intersections, and players may place a stone on any unoccupied intersection (with a few exceptions).

The complexity of go far outstrips that of chess, at least in terms of the computation required to analyze and evaluate a position. Computers have conquered humans at chess…their calculating speed and positional evaluation let them beat even the strongest carbon-based players regularly. The most advanced go programs can only beat top professionals if they are given a substantial head start. That said, the gap is closing.

I said that chess is the prototypical Western game, but it’s mostly thought of as a European (and even more specifically, Russian) game. In America, the game of choice is poker. Poker is a gambling game, with a significant element of chance involved. You can do everything right but still lose if your opponent decides to fight the odds and draws the cards they need. Ironically, the better you play, the more of these “bad beat” stories you’ll have to tell. If you’re always in the lead, the luck of the draw means you will get chased down on occasion.

I hope I don’t sound bitter. But I am.

Do the Russians play chess, the Chinese play go, and the Americans play poker? If you look at our cultures and practices, you’ll see there’s a fair amount of truth to that statement. How well that metaphor translates to actionable intelligence is debatable, but it’s an interesting way to start a conversation.

NASCAR, Scrutiny, and Success

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There aren’t a lot of NASCAR fans in Portland, OR. I grew up in Rockingham County, Virginia, which is about four hours from Martinsville Speedway and within an hour’s drive of at least a dozen regional and local tracks. I enjoy the competition and, even though some races look like a bunch of guys going fast and turning left for three hours, there’s a lot of strategy and tactics to get right if you want to be successful.

I also enjoy Formula 1 racing, which sets designers and drivers an entirely different set of problems. In open wheel racing, touching another car often means irreparable damage to you, the car you touched, or both. In NASCAR, you can rub, bump, bang, and beat on each other a lot more without necessarily compromising your chances. Formula 1 and NASCAR cars (and drivers, for that matter) also have different weights, aerodynamics, and handling characteristics. Some drivers can race successfully in both types of cars, but most competitors specialize.

Car racing is also a male-dominated sport. There have been some successful female drivers, such as Janet Guthrie who raced competitively at the Indianapolis 500 (an open wheel race), but until recently there hasn’t been a marquee name moving from open wheel to NASCAR racing. All that changed when Danica Patrick, who raced successfully through the junior open wheel series in Europe and in Indy cars in the U.S., made the jump to NASCAR.

Patrick is a skilled racer who has paid her dues, but she’s had a rough transition to the Nationwide series (the second-tier NASCAR circuit) and the Sprint Cup. She’s also a marketer’s dream, with amazing good looks, a winning personality, and the discipline to balance racing and promotional duties effectively. Some commentators claim Patrick was hired for her appearance and not her abilities, but I don’t think that’s a valid criticism. NASCAR, like all major sports, is driven by media coverage. People (and I am a people) like looking at attractive individuals and studies show we remember their messages longer. With media coaches and mandatory sponsor mentions during interviews (“I thought the #666 Dogecoin Chevy SS team put me in a good position to win today…”), criticizing a driver for capitalizing on their appearance is nonsense.

As for racing results, Patrick has struggled. She led the Daytona 500 and finished well in a few races, but her average finish is in the low 20s (out of 40 or so drivers) and she has only a handful of top-10 finishes. Kyle Petty, a moderately successful NASCAR driver, son of driving legend Richard Petty, and media commentator, had an interesting take on Patrick. He was quoted in the USA Today as saying:

“She can go fast, but she can’t race. I think she’s come a long way, but she’s still not a race car driver. And I don’t think she’s ever going to be a race car driver.”

Asked by interviewer Matt Clark why Patrick wouldn’t ever be a race car driver in Petty’s eyes, the eight-time race winner said it was “too late to learn.”

Petty admitted that, even though he won eight top-tier NASCAR races, he never figured out what it took to be a great driver. Even so, he has a point. Drivers such as Tony Stewart and A. J. Foyt grew up running everything they could get their hands on, so they learned general racing skills as well as tactics for each type of car and track. Patrick spent her formative years concentrating on open wheel racing on road courses, so her development was more specific.

Even so, I’ve noticed her car control and race sense have improved. Rather than running consistently at the back of the pack and getting caught in (or causing) avoidable incidents, she’s obviously working hard, listening to feedback, and improving. Will she ever win? Hard to say. There are a lot of really good drivers out there. Will she challenge, especially at Sonoma and Watkins Glen? Probably. As long as she keeps improving and maintaining a positive image for her and her sponsors, she’s likely to have a ride. In the context of NASCAR and its surrounding media environment, that counts as success.

I can tell she wants to win, not just race. She won at every level moving up and, even if she doesn’t have the NASCAR-specific skills required to win consistently at the top level, she’ll keep giving it all she can.

Kyle Petty also characterized Patrick as a “marketing machine” rather than a racer. Her commercial success has certainly outpaced her results on the track, but there’s no public-facing industry where looks and talent don’t operate in tandem. We’re all working so we don’t have to work any more, so I offer Patrick the same advice Darrell Waltrip gives to drivers right before a late-race restart: “Go out there and getcha some.”

Smarter than a CIA Agent?

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National Public Radio (NPR) ran an interesting piece on the Good Judgment Program, which is a trial program run by the United States Central Intelligence Agency. The program’s goal is to find individuals who can forecast whether certain events will occur, such as a major attack on Israeli soil before May 10, 2014. The program’s trial period has 3,000 participants, each of whom makes predictions through a website. The NPR segment featured a 60 year-old pharmacist who is in the top 1% of the group, making her a “superforecaster”.

The question, of course, is whether this participant has any special abilities or insights. Program entrants don’t have access to sensitive data — indeed, the pharmacist says she simply does a Google search to find information about each question and makes her best guess. Just as some lucky individuals can win five, eight, or even 20 coin flips in a row, I’m curious as to how much of the participants’ success (or lack of same) is due to chance. I’m sure the intelligence community is, too. I’d love to see the statistical distribution of forecast success rates to see how it compares to random choices.

Despite the attempts to codify intelligence work in books such as Structured Analytic Techniques for Intelligence Analysis, it’s much more of an art than a science. What’s worse, humans are notoriously bad at explaining why we did something. Research has shown that we often have no idea why we perform an action, but feel compelled to provide a justification afterward. That explanation is usually based more on how we perceive ourselves as thinking than it is on the actual process.

If you’re a performer and you do something good, try to remember the context of the scene and how you felt when you got the input that led to your good choice. Recording your performances lets you recapture more of the feeling than simple memory, which fades quickly and can be replaced by what you wished had happened. Then, the next time you’re on stage, try to recreate that feeling so your subconscious can make good choices on your behalf.

Review of Tim’s Vermeer

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Johannes Vermeer, the 17th century Dutch painter, created works that diverged significantly from those of his contemporaries. Though he painted domestic scenes and portraits, his works’ appearance shared more with modern photography than paintings of his era. Where he developed these skills is a mystery — there’s no record of Vermeer’s training, which is very uncommon for artists of the mid-17th century. Normally artists listed their apprenticeships and other engagements to enhance their prestige. His works also stood out through their lack or preparatory sketches on the canvas. How he produced his work is a mystery.

Tim’s Vermeer, a Penn & Teller Film, investigates Vermeer’s process. Penn Jillette and Teller, the taller and shorter halves of Penn & Teller, respectively, have in recent years branched out from their magic show at the Rio in Las Vegas. Their other projects include Penn’s appearances on Celebrity Apprentice and Teller’s well-received direction of Macbeth. The “Tim” of the film’s title is Tim Jenison, a technologist, inventor, and friend of Penn’s for many years. Jenison surged to nerd prominence in the 1980s with products such as DigiView and the iconic Video Toaster. His company, NewTek, produces LightWave 3D, popular modeling software for artists, designers, and engineers.

During a conversation with Penn, Tim casually remarked that he was trying to recreate a Vermeer painting. Tim’s not a painter, but he has an inventive mind, an eye for detail, and an understanding of light from his work as a 3D design software developer. He happened to read British artist  David Hockney’s 2001 book Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters, which postulated that Vermeer had used optical aids to produce his work.  Over time, Tim intuited and tested a process that combined camera obscura projection and a series of mirrors to magnify the subject image and compare the subject’s color with that on the canvas. When there is no discernable step at the edge of the comparison mirror, a condition that surely brings joy to professional magicians Penn & Teller, the rendering matches the subject.

The film then describes Tim’s efforts to research the piece he has chosen to recreate, The Music Lesson, and build a full-size physical model of the scene in a San Antonio warehouse. One light-hearted moment comes when Tim and the gang visit London and request permission from the Queen of England to view the original work, which is in the crown’s private collection in Buckingham Palace. Originally denied access, Penn & Teller recorded a rant that could easily have fit into their Showtime series Penn & Teller: Bullshit! Fortunately, just a portion of this segment played briefly and at very low volume while Penn’s voiceover revealed the Queen had changed her mind and granted Tim a half-hour viewing.

While in England, Tim had the opportunity to speak with several experts, including David Hockney. One shot in Hockney’s studio deliberately exposes the reflection of the director, Teller, and a cameraman in a full-length dressing mirror in Hockney’s studio. It’s a nice touch that reminds us we are watching a mediated depiction of a conversation about a mediated depiction of reality.

Back in San Antonio, Tim’s team constructs the set and he starts painting in earnest. There are many terrific moments in this part of the film, but I won’t spoil them for you. I will say that, at a late stage of the project, Tim’s dedication to detail threatened to turn part of the process from a Seurat-like pointillist rendering into a Sartre-like existentialist nightmare. To his credit, Teller chose not to hype Tim’s obsession on the project. Rather, he lets the viewer empathize with Tim by bringing to mind pursuits they’ve taken to unlikely extremes.

I recommend Tim’s Vermeer without reservation. It’s a compact film, running just 80 minutes, and I plan to buy DVD copies of it as gifts for friends. That said, I did have some small issues with the piece. There were several instances of double exposition, where an interview or voiceover repeated the same information in close proximity. Also, I felt that sped-up sequences where Tim shifted between views of the set’s LightWave 3D model were interesting eye candy but went on a bit long and added nothing to the narrative. I found similar set construction sequences to be effective, so maybe I didn’t see how the computer graphics furthered the story. 

Regardless of these minor complaints, I think Tim’s Vermeer is a terrific documentary that will appeal to anyone who has ever thought “That’s funny…” and followed their observation to its logical, or perhaps illogical, conclusion.

Tim’s Vermeer runs through March 20, 2014 at Cinema 21 in Portland, OR. You can find more information about the film, as well as showtimes and venues in other cities, at its dedicated page on the Sony Classics site.

Review: Everything I Ever Needed to Know About Economics I Learned from Online Dating

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In addition to blogging here, writing books, and creating online training courses, I’m also the editor and lead reviewer for Technology and Society Book Reviews. Here’s my most recent review.

Title: Everything I Ever Needed to Know About Economics I Learned from Online Dating

Author: Paul Oyer

Publisher: Harvard Business Review Press

Copyright: 2014

ISBN13: 978-1-4221-9165-1

Length: 256

Price: $25.00

Rating: 89%

I purchased this book for personal use.

Everything I Ever Needed to Know About Economics I Learned from Online Dating, written by Paul Oyer and published by Harvard Business Review Press, takes a friendly approach to teaching basic economic concepts. The book covers topics including search, signalling, selection, and network externalities, in an approachable and personal manner. Oyer tells the tale through his own experiences in online dating. As someone who met his wife through online dating, I found myself rooting for the balding economist trying to find love while going through an unhurried divorce.

Light-Hearted, but not Lightweight

Paul Oyer is a professor of economics at the Stanford graduate school of business, so he is used to explaining economics to graduate students. It’s not a simple undertaking to translate that knowledge into terms that can be understood by the general reader. Yes, I understand that anyone who would purchase a book published by Harvard Business Review Press is probably not your average reader, but the book’s title and in the author’s writing style make it clear that this is not a weighty academic tome. If you want one of those, see if you can find a copy of The Economics of Electronic Commerce by Choi, Stahl, and Whinston, which I reviewed on this site in 1998.

Online dating is an interesting process. You go to a site such as Match.com or OkCupid, fill out a profile or answer questions, and let the computer code running in the background show you who it thinks you might be compatible with. It’s a combination of many economic activities: advertising, search, signaling, and network effects among many others. And, just as economics is often called the “dismal science”, online dating can take on an air of despair when you’ve been at it for a while but haven’t found anyone to spend time with.

Of course, some of this frustration can be self-inflicted. On page 12, the author cites an online dating profile published by a graduate student in China:

Never married; master’s degree or more; not from Wuhan; no rural ID card; no only children; no smokers; no alcoholics; no gamblers; taller than 172 cm; more than a year of dating before marriage; sporty; parents are still together; annual salary over 50,000 yuan; between 26 and 32 years of age; willing to guarantee eating for dinners at home per week; at least two ex-girlfriends, but no more than four; no Virgos; no Capricorns.

I hate to say it, but I think the guy she’s looking for is already married.

Economics and the Online World

I’d imagine that most of my readers will be familiar with at least some of the economic concepts that Oyer discusses in this book. That said, even though I have spent quite a bit of time with the popular literature discussing the economics of online commerce, I learned a few things from reading his book and was reminded of quite a few more concepts that I hadn’t encountered for a while. I also like that the author summarizes the economic concepts that he discussed in each chapter with a series of takeaways at the end. He lists a key insight from economics, a valuable or important empirical finding by economists, how dating compares to the concept discussed in the chapter, and a bit of humorous dating advice that puts a button on the chapter. In the chapter on signaling, for example, he gives this dating advice: “If you want to prove you are rich, burn a big pile of money on the first date.”

I enjoyed the author’s take on economics through the lens of online dating. He writes in a familiar, personal style, and ties the economic concepts he wants to explain into his personal narrative seamlessly. I’m just guessing, but I bet his first draft was pretty good. His editor, Tim Sullivan, certainly helped bring the manuscript together into an enjoyable, coherent whole.

Conclusions

I recommend Everything I Ever Needed to Know About Economics I Learned from Online Dating to anyone who is interested in contemporary economics, either as a casual reader just digging into the subject or as a more experienced hand who would enjoy a good-natured review.

Curtis Frye is the editor of Technology and Society Book Reviews. He is the author of more than 30 books, including Improspectives, his look at applying the principles of improv comedy to business and life. His list includes more than 20 books for Microsoft Press and O’Reilly Media; he has also created over twenty online training courses for lynda.com. In addition to his writing, Curt is a keynote speaker and entertainer. You can find more information about him at www.curtisfrye.com.

Diversity Doesn’t Always Look Different

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In my last post, I talked about the bullying that went on between Richie Incognito and Jonathan Martin. The two men play football for the Miami Dolphins…or rather, they did. Martin left the team as a result of what he termed “harassment” and the Dolphins have suspended Incognito indefinitely for conduct detrimental to the team. They reportedly plan to cut ties with him.

It’s come out in the last couple of days that Incognito might have been given instructions from the Miami coaching staff to “toughen up” Martin. Martin grew up in a well-off household and went to Stanford, which doesn’t cut athletes too many breaks on GPA and academic performance. He’s quiet and thoughtful. Incognito, on the other hand, is a brasher, tougher person who didn’t grow up in the nice part of town.

Martin is black and Incognito is white, but there’s an interesting racial dynamic to the situation. On the November 6 episode of ESPN’s Pardon the Interruption, Michael Wilbon, who is black, pointed out that there’s an ongoing conversation in the community about what it means to be black. That conversation takes on a special meaning in the context of the super-macho NFL. According to media reports on ESPN’s web site and Wilbon’s commentary on PTI, Incognito is considered an “honorary” black person who could use the n-word casually in the locker room without offense. In fact, again according to Wilbon, Incognito was seen as “blacker” than Martin because Incognito’s behavior fit into the team’s cognitive model of what an NFL, and more specifically a black NFL player, should be like.

And that’s where the problem lies: the stereotype of how an NFL player should act. A thoughtful, sensitive, introverted person like Martin plays the game differently than his teammates. Maybe he’s not as forceful as his fellow linemen, but he wasn’t voted the second dirtiest player in the league like Incognito was, either. The stereotypical means of “toughening up” a player drove Martin from the team and to document his teammate’s behavior. Veteran Dolphin players have backed Incognito’s actions, calling him Martin’s “big brother” and characterized him as a person who always had Martin’s back. By contrast, when asked if Martin would be welcome in the Dolphins locker room, most players declined to answer.

I have to admit I have a lot more sympathy for Incognito than I did after I first heard about his conduct. Rather than acting as a rogue agent, he appears to have behaved in a manner consistent with the team’s culture. Whether that behavior is “right” or “legal” is up for discussion.

It’ll be interesting to see how this situation shakes out. I characterized the issue as one of diversity in the post’s title, pointing to the difference in cognitive style, personality, and approach Martin takes to life and the game. He’s a minority within the NFL, so there’s a question of whether he and (presumably) his attorney choose to make a hostile work environment claim based in whole or part on his status. Certainly the allegations in the case point to consistent behavior that might be contrary to the law, but I’m not a lawyer. I have a feeling we’ll all learn more about it in the coming months.

Finally, let me conclude with something that, thankfully, doesn’t apply to anyone with whom I currently work: If you think I need toughening up, you’re welcome to try it. I will become more aggressive, but it’ll be in your direction. I do what I do and I’m good at it. My approach works for me. If you think I’m doing it wrong, that’s your problem, not mine. Maybe you screwed up when you hired me.